


J.K.Mann Photography: CAPTURING CLASSICS IN A SNAP













I have now had plenty of experience with high school dances. We usually begin in our own backyard, capturing photos of our own kids and their dates. Then, usually, we meet a large group of kids and their parents for photographs at some other pre-determined location. Here the kids get together for large group shots with friends, and I usually come away also with some nice candid photos from these gatherings.

Afterwards, the kids all leave for a resturant, and then on they go to the dance. The waiting begins...and if you are a parent you know exactly what I mean!





The second competition I was involved with is at www.dgrin.com . Here I had qualified for this quarterly challenge with a photograph taken several months ago. This quarterly "Mega" challenge was made up of photographers who placed in the top 5 in votes for the photographs they entered in the qualifying rounds. The theme here was "The Elements". I chose to enter an image that was built in several steps, a layered composite. It followed a very basic and literal interpretation of the theme. When the final scoring ended, it had done well with the judges, but not well enough to win. Maybe next time!
"Tungsten No.74"






Most of the light here is natural light filtering through the windows. I did use a reflector for some of the photos, and also a flash unit on all of them to kick a little extra light into the shadows, but was able to control the artificial light well enough that it did not rob any of the ambience from the window light.

In the end though I can only take a tiny bit of credit for these images. Much of the success of an infant's photoshoot depends on the infant himself. Brooks behaved very well throughout the shoot and put on quite a show for us. His little face also has that classic shaping that lends itself very well to a classic style of photo processing.
Removing plywood from a stained glass window.
On Wednesday, of our week in New Mexico, we began work at El Divino Pastor United Methodist Church. Located in Roswell, NM it is known by the locals as the Spanish Methodist Church. Sadly they have lost all but five members. In an effort to inspire growth, they invited us into their church to give it a facelift. The facilities at El Divino Pastor are not perfect, but are all intact. There is a mid-sized sanctuary, a large fellowship hall, several classrooms, and a small kitchen area. Nothing really is lacking as far as the buildings are concerned. Our work list here included patching some roof leaks, cleaning up the church grounds, and painting the interior of the church. I set out early that morning to show four teenaged girls how to spackle cracks and holes in drywall in preparation for painting the sanctuary(...and they did a great job!), but that was just my task. We were a group of nearly fifty, so if you can imagine a swarm of bees decending on this place and going to work at different jobs, then you will nearly have a picture of all of the activity of that morning. In the midst of all of this buzz I noticed on the back wall of the sanctuary near the peak of the ceiling a darkened stained glass window. I could barely make out a few details because of the darkness, but I was positive that it was of an intricate design...and quite old. I couldn't help but wonder why it had been covered, and then I saw the holes. The window had been broken.
An art project made with the plywood that was removed from the window.
After awhile, when I was sure that our sheetrock patchers could be left to their own devices I made a tour of the building to see what other work was being done. Eventually I found my way to the roof. There, I realized that the stained glass window had been covered over with a simple piece of plywood to keep the rain out. I thought that it would be pretty easy to remove the plywood and replace it with a thick sheet of plexiglass. Not neccesarily what the window really needed, and not on our worklist, but definately a way to allow light to pass once again through that stained glass. I suggested this "fix" to one of our other adults. He and I then convinced the other adults that we ought to at least give it a try. Everyone was onboard with the idea. A few phone calls later, I had located a local supplier of plexiglass who had enough of the stuff in stock to cover the window. All the supplier needed was the plywood covering to be used as a template to cut the right size and radius on the arch at the top. Three of us then went up to the roof to remove the plywood so that it could be taken to the glass shop. Removing it was simple work that required a screwdriver and a ladder. I remember picking up all the loose screws as well as a couple of small shards of the broken stained glass that were lying below the window on the roof and put them in my pocket to be thrown away later. I was later told that while I was away at the glass shop an adult woman who had come from Baton Rouge with us began crying at the sight of the window once it was uncovered. It was that beautiful.
Worship at El Divino Pastor with the window lit by the afternoon sun.
I would have liked to have been a part of repairing the window, but on Thursday I began work at the Boys and Girls Club of Roswell with part of our crew while the remainder went back to El Divino Pastor to complete the work we had started. I am told that the plexiglass installation went smoothly, yet I was unable to see the finished project until we held a worship service in their sanctuary on Friday evening, our last night in New Mexico. On that night it was lit very well by the setting sun, and later was a beakon to the surrounding neighborhood by light from within. Two of El Divino Pastor's members were present at that service, Carmen their lay pastor and her older sister-in-law. Carmen spoke to our group briefly through a shower of tears expressing her thanks, and telling the kids how much they have inspired her. She was without a doubt the most greatful person I have ever seen, and to show her gratitude she had us line up so that she could give us each a hug, a kiss, and a thank you. She wanted to be certain that she had not missed thanking us each and all personally. I had the feeling that the inspiration we had given her paled in comparison to what she had given us. Carmen had to leave for work before we were done with our worship time, but her sister-in-law owns a fireworks store, and we were to visit the store that evening and be treated to a box full of fireworks for our own enjoyment, so after the service, myself and another adult went to the fireworks store so she could show us the field that we could use to set off all the gizmos in the box. This is when I found out what the stained glass meant to at least one of the members of El Divino Pastor.
A Son who lives eternal.
On a gravel patch in the middle of a field on the outskirts of Roswell she leaned against the door of her car and said "thank you". " Thank you, thank you, thank you" over and over again as tears trailed from her wrinkled eyes. In her heavily accented and broken english she says to us " I have seen that window once before, but only once." "My son would have been fifty-two this year" she says "but he was killed young in a skydiving accident....but I remember that window". When he was seven, he was christened on Mother's Day. She had attended her own Catholic Church that day for the christening, and then gone on to her mother-in-laws church, and now her own church, El Divino Pastor for the Mother's Day service. She said that she never noticed the window until the service was over and it was time to leave and then "Oh, it was so beautiful, and the sun, and I could only stand there and stare, I could not speak". By my math that day was Mother's Day forty-five years ago. On this night the most beautiuful archetectual element of her sanctuary had been returned to her and it had ressurected long ago memories. Memories of her dead son's christening returned by gazing into a picture of a Son who lives eternal.
Later, while packing, I found the two shards of stained glass I had pocketed. I have always collected tidbits such as this to be tucked away into the box my Bible came in. It is full of cards and letters and other momentos from my experiences with our youth group. This may seem too sentimental for some of you, but the things in that box mean the world to me. On a whim, I offered one of the shards to Jill. She is the lady who travelled to New Mexico with us and cried at the sight of the uncovered stained glass. She didn't say, but I have a sneaky suspicion that her shard means perhaps as much to her as the rest of the window means to Carmen's sister-in-law.

Aside from our faces, there are many things that say who we are. A parent or loved one can recognize us just as easily from our parts as from our whole. As much time as I spend trying to set up a location shoot so it will look "just so", these detail shots do not depend on anything to do with the location other than the lighting. Straying from what is typically defined as a portrait and focusing in on details often results in photos that are more abstract in nature, yet they still portray us as who we are.


A week or so ago, I was approached by a friend about doing a set of family portraits for her family. Sure enough, the question of locations arose. Although I can supply recommendations of great locations, I usually make certain to point out that a location that actually means something to those involved would be best. On this recommendation, it was decided that we would do their photos out of town on a beautiful piece of property owned by her father. With his barn and the golden glow of the afternoon sun as a backdrop, we were able to capture some very good looking photographs that will become even more valuble to the family over time. So, when booking for your on location family portraits remember....location, location, location!!!


"Released"
I awoke the morning following graduation and immediately went to work on the image. My first step after minor adjustments and converting from the RAW file was to convert the image to black and white. I chose to use a LAB Mode conversion method which is by far my favorite method of conversion when working with portraits. It seems to offer the very delicate, crisp, smooth tones that I like in a good black and white photograph. The only ill effects of this type of conversion is that mid-tones are usually somewhat lost in the conversion, and it will magnify noise in a high ISO photograph. Since I was going for that richly toned photojournalistic look, I would need to take special care that I retained as much mid-tone contrast as possible. I achieved this by doing curves adjustment layers and masks in Photoshop to squeeze every drop of contrast that I could get out of several key areas in the photo. I had one layer totally devoted to pulling a shadow out that had gone inky dark between the feet of the young man at front left. This part of the photo isn't visible in the version I have posted here, but you can at least appreciate the trouble I was going through to achieve my end-goal. Another layer was entirely devoted to adjusting for contrast in the faces of the kids. The hats in the air were also treated to their own layer to adjust their sharpness and contrast. Once I had the tones I was looking for, I moved over to noise control. The well exposed foreground had very little noise, but the dark curtains on the back wall were another story. My solution here was to do two noise correction layers, one for the foreground and one for that back wall, to allow me to minimize the ill effects of noise removal in the important areas of the photograph and keep my image crisp. I then added a warm tint to the photograph to keep it from having that greenish grey cast that is present in many black and white photos. The final step was to sharpen the image using the high-pass sharpening method. I have found that this is an excellent way to sharpen the details in an image while having 100% control over sharpening the noise in an image.
The version here is one that I plan to present to our school board. They have only been in existence for one year and this was their very first graduating class. I hope that they can see and appreciate the sheer joy on each of the faces within the frame. So many dreams and ambitions together with relief are evident in every corner of this photograph. I think it speaks well to what the goals of the school board should set for itself. Congratulations to the class of 2008!

The music was great. Very upbeat and modern. I know that Devine Intervention plays venues near and far at every opportunity. If they are in your area, I urge you to check them out. If anyone is interested in booking them for a concert let me know, and I can put you in touch.

Never having had the opportunity to photograph a concert I decided to give it a try last Sunday night. In addition to the existing light in the fellowship hall, I used a single speedlight that was fired wirelessly using the Canon STE2 transmitter. The speedlight was located on the other side and in front of the stage from me. It provided some additional light, but also threw many interesting shadows on the walls in some of the photos. For processing, I used some common Lightroom presets and then applied an assortment of textures in Photoshop to add an edgy grunge appearance.







I do like the idea of a prom for the photographic possibilities. A time when the girls have a chance to pretty-up and are actually willing to have their photos taken. Of course it just so happens that our climbing rose on the patio blooms every year for prom. That makes it even all the more better!!!
I know that many of my blog visits are by family and friends. Statistics, however, lead me to believe that most of my visitors are fellow photographers. Either way what we all have in common is that the majority of us are watching our children, grandchildren, or nieces and nephews grow up. So for the sake of sentimentalism I have a story to share about a photograph I captured on last year's prom night, and a bit of advice.

Now the sad part...
The day that I captured that photograph was the last time that I can remember seeing her sit like that while dolling herself up. The end of an era in my home. That simple fact makes this photograph priceless to me. It is another example of how fast our kids grow up. Their habits that are cute and commonplace could be only a memory as soon as tommorrow. My advice to you is to be absolutely sure that you are capturing these memories of your little ones. Words cannot even begin to express how thankfull I am that I was there on that day to capture this image of her. There she is...through the lens...for all time.

